Jake Gyllenhaal's Broadway Debut in 'Constellations' Earns Rave Reviews

Jake Gyllenhaal recently made his debut on Broadway as the star of the two-character play "Constellations," opposite British actress Ruth Wilson, and the actor has been receiving numerous compliments for his stage performance.

"Constellations" is a 70-miute play conceived by British playwright Nick Payne and was first staged in London in 2012 at the Royal Court Theatre. Now it finally opened in New York City and Gyllenhaal, as well as Wilson, were warmly received by critics and viewers alike.

Gyllenhaal and Wilson play Roland and Marianne, respectively. Roland is a grounded, sensible beekeeper while Marianne is a quirky woman studying theoretical physics at Cambridge. The two met on a rainy day at a barbecue and while it was initially awkward, the two eventually fell in love. Alternating scenarios on stage showed the progression of the couple's relationship and the path their lives take.

A review by Marilyn Stasio from Variety hailed Gyllenhaal's acting skills, calling him a "chameleon character actor" and complimenting his "amazing" performance as Roland. Wilson was also complimented for being "mercurial" and "enchanting" in the shoes of Marianne.

David Rooney of the Hollywood Reporter called both performers "astonishing," and added, "the range displayed by both actors is impressive indeed, and their chemistry unquestionable." He also pointed about Gyllenhaal's performance in particular, saying, "the actor's work here is in another league."

A review from The New York Post newspaper wrote, "Gyllenhaal is subtly wonderful as the earthy, calm Roland," and praised Wilson for her comedic flare and agility, according to Reuters.

The New York Times said Gyllenhaal's performance in particular was "a magnificent work of understatement," while USA Today praised Wilson for her "vital presence, veering drom loose-limbed goofiness to earthy sensuality."

Other reviews also called Gyllenhaal and Wilson's performances "breathtaking" and "perfectly matched." The play was also hailed as the "most sophisticated play Broadway has seen" by The New York Times, and "a singular astonishment" by The New Yorker.